Postdramatic Musicalized Communiqué of the Catharas

"The more she contemplates, the less she lives; the more she identifies with the dominant images of need, the less she understands her own life and her own desires. The externality of the spectacle in relation to the active person appears in the fact that her own gestures are no longer hers but those of another who represents them to her. This is why the spectator feels at home nowhere, because the spectacle is everywhere." *

--Guy Debord. The Society of The Spectacle. Thesis 30.
*all male pronouns changed to female.


Postdramatic Musicalized Communiqué of the Catharas from elektra kb on Vimeo.










































--Hans-Thies Lehmann

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